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There is now a way to memorize a shuffled deck of cards in less than 15 minutes! 
EVERY person wants a better memory. What most people don't realize is that they already have a great memory; they simply don't know how to best use it. It's true, with the right mental tools your memory is capable of amazing things, and The Memory Arts is proof! Two memory experts have created an odd but wonderful product. It's a book with gorgeous paintings that tell an outrageous and, thankfully, unforgettable story. By reading the story, you will AUTOMATICALLY memorize a randomly shuffled deck of playing cards. How cool is that? 
Using a time-tested memory technique, you will absorb a story so sensational and outrageous that you will barely notice that you are committing an entire deck of cards to memory. The best part is, once you know how to memorize playing cards, you can use this method to memorize anything! 
This groundbreaking book introduces the ancient art of memory and recollection by presenting a Layered Mnemonic Methodology--in GRAPHIC form--that teaches the fundamentals of a trained mind through playing card memorization. In the days of Plato and Aristotle, these systems were part of formal education, and for thousands of years their instruction has been passed down via written word, requiring the reader to translate those words into images. Recognizing that written letters are natural to none, The Memory Arts bypasses the unnatural for the natural, providing beautifully painted locations designed specifically for memory storage and retrieval. The Memory Arts provides a methodology so refined even a 6-year-old can learn how to memorize a shuffled deck of cards, a list of over 25 items that can be called back in any order, and countless phone numbers. The principles taught in this book are directly applicable to every area of life, be it business, math, history, grocery shopping, public speaking, and more.

• Sales Rank: #292190 in Books
• Published on: 2016-05-24
• Original language: English
• Dimensions: 10.00" h x .25" w x 7.00" l,
• Binding: Paperback
• 104 pages

Review
"The Memory Arts is a valuable asset for anyone wishing to learn about the ancient art of memory techniques. It will prove to be of intense interest to those who have tried and failed to memorise a deck of playing cards; with its interactive approach to teaching a memorised deck in lightning speed. For the student looking to deepen their ability with memory, this will be a hugely valuable addition to their library." -Luke Jermay, Mentalist, Magician, Writer

"The Memory Arts by Sarah and David Trustman is a fantastic read. It is indeed one of the best books on memory and beyond. The book is a great tool to better your skills and talents. I highly recommend it." -Uri Geller, magician

"The Memory Arts book is the easiest and fastest way to learn [a stack of cards]! Flash cards, songs, and rote memory weren't sticking. In one day I read this book and learned the whole stack. Makes me feel foolish wasting all that time trying to learn it any other way." -Daryl Williams, The Other Brothers

"The Memory Arts is worth your time and attention. It is full of useful tools and systems that are both flexible and practical. You should read this, apply this and enjoy this." -Chris Rawlins, Top Memory Performer

About the Author
David and Sarah discovered the memory arts while studying Stage Magic. The duo regularly performs feats of memory involving the first 500 digits of pi, 3 shuffled and memorized decks of cards, and long, long lists of randomly called out objects. 

Sarah and David are eclectic in their pursuits to say the very least. David divides his time between berry farming and writing/illustrating comics (producing such works as THE RISE and the award-nominated KARMA SPRINGS). David has been featured in art galleries for his watercolor comic art. Sarah's varied background spans early-childhood education, music, and theater. She spends her free time as an advocate for children's education. They live right outside of Raleigh, North Carolina with their two children, dogs, a fish named Blue-Horse, and their small flock of chickens.

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Native Advertising is the Fastest Growing Advertising Format on the Internet and is Predicted to Remain So Until At Least 2020

“Probably the Best Introduction to Native Advertising and the New Way People are Driving Traffic and Making a Profit From Blogs”

Arbitrage is simply buying something for a low price then selling it for a high price.

Step-By-Step - Native Advertising Explained

This book shows you how to do this using Native Advertising to buy visitors to your site and make more money off those visitors with advertising than it cost you to get them to visit. This is repeatable, scaleable and proven, but it MUST be done the right way.

The pioneer of this method was Scott DeLong who started his site ViralNova.com in 2013 with a basic Wordpress theme and rapidly scaled it to do $1million revenue within 8 months and all on his own. Things have moved on now and whilst that level of growth may be hard to achieve, it is still possible to very quickly scale a site using these techniques.

Make This the Year YOU Create a Money Making Blog Using the Latest Proven Methods

This book covers the entire step-by-step process:

• Niche and branding
• Creating a site
• Setting up and optimising your ad placements
• Creating slideshow posts (and why you need these)
• Researching and creating money making content
• Understanding analytics to find where you are making money and bleeding money
• Optimising traffic to only send profitable visitors
• What the competition are doing wrong
• Rapidly scaling
• Increasing the value of your blog for a bigger exit

You Can Do This

Can you create a post to your social feed designed to get the most likes and shares from your friends and followers and learn from which ones bomb and which ones do well? If so then you already have most of the skills you need.

"You Just Need a Blueprint to Follow""

Rob Keast is an entrepreneur who has started and sold several web based businesses and is passionate about optimising and scaling digital businesses and sharing the processes to do so with others.

Click on “Look Inside” to See the Proof and Find Out Much More!

• Sales Rank: #852206 in Books
• Published on: 2016-06-16
• Original language: English
• Dimensions: 9.00" h x .50" w x 6.00" l, .66 pounds
• Binding: Paperback
• 220 pages

About the Author
Despite being a rugby playing, out doorsy, kite surfing (when he can fit it in around work and his five kids) bloke, Rob is at heart a nerd. Not in the true nerdy (Not Even Remotely Dorky) geeky sense of the word, but in the “how can he use technology to make life easier” way. After ten years of working on e-commerce and large websites during which time he rode the dot com boom and bust, hiring and firing hundreds of people and running tech teams of all sizes, Rob decided to exit the corporate world and make his living from web properties. He has started and sold several web based businesses and during the last few years has used technology to reduce the risk of creating campaigns and web properties based on what is working for other people. He believes passionately that the old mantra of study hard, get a good education and a good job belongs firmly in the last century and that with barriers to entry lowering all the time, the future will be based on the fourth economy of entrepreneurs. He has helped hundreds of people create a business on the side that then replaces their full time income and is now writing about how to do this. For some reason Rob still drags himself onto a rugby pitch a few times a year despite the clear signs his body is giving him and his team mates are telling him, that he shouldn't bother.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Perfect Timing!
By jared j leichliter
I can't thank Rob enough for writing this book that outlines the blueprint for the "proper" way to implement a good native ads arbitrage strategy. I've been studying this strategy for a couple of months and had literally exhausted every resource I could find online. When I came across his book last week I bought it on the spot. I was about one week away from running traffic to my brand new native arbitrage site so the timing was perfect. Man I'm glad I took a couple of days and read this book. There are a few very important golden nuggets that other people don't share with you on the blogs or webinars about this strategy and if you don't know them, you're going to lose at this game! This guide gives you everything you need, especially the biggest thing I was looking for, how scale your winners using leverage. I can't even estimate how much frustration, money and time this guide has saved me!

You know what they say, "when the student is ready the teacher will appear"

Thanks Rob!

0 of 0 people found the following review helpful.
This is the best invest I ever do
By Darío
Man, you're a monster, this ebook have ALL the information about arbitrage with native ads, I read a lot of material, blog post, video courses, forums and you find people talking about how much money you made with arbitrage but no explain to you the secret sauce. In this ebook, you reveal ALL not only for newbies, for pros too!

This is the best invest I ever do, for only 10 bucks I can start a successful arbitrage with native ads business. I lost money with native networks and I didn't know what I need to do, I know this biz is very profitable but I feel lost with all the info I studied before your ebook, now I'm very confident to create an "editorial plan" test and optimize with all your experience and recommendations.

If you're interest in arbitrage with native ads this ebook is a must have, you can save days, weeks of searching for value information!

Thanks a lot Rob for write this book!

0 of 0 people found the following review helpful.
I would have given this book a 5 star review ...
By Amazon Customer
I would have given this book a 5 star review when I bought it several months ago - but since then I have tried native ads and am finding them very hard to make profitable. Could be my own short comings but I'm just not convinced that the business model is sound. However, the writing and information delivered in the book is first rate - the guy obviously knows what he is talking about and knows how to teach.

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• Sales Rank: #1409138 in eBooks
• Published on: 2016-01-25
• Released on: 2016-01-25
• Format: Kindle eBook

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0 of 0 people found the following review helpful.
A wide variety of poems in the book
By Paul
A wide variety of poems in the book . The poems make you think . Reading thr love poems in this book changes my whole perspective on love itself . Definitely this book deserves 5 star

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• Sales Rank: #4598686 in Books
• Published on: 1999-06
• Original language: English
• Dimensions: 7.75" h x 5.25" w x 1.25" l,
• Binding: Paperback

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Written in an encrypted notebook while incarcerated in a Nazi insane asylum and discovered after his death, The Drinker may be Hans Fallada’s most breathtaking piece of craftsmanship. It is an intense yet absorbing study of the descent into drunkenness by an intelligent man who fears he’s lost it all.

***

This is a Hybrid Book.

Melville House HybridBooks combine print and digital media into an enhanced reading experience by including with each title additional curated material called Illuminations — maps, photographs, illustrations, and further writing about the author and the book. The Melville House Illuminations are free with the purchase of any title in the HybridBook series, no matter the format.

• Sales Rank: #1050490 in Books
• Brand: Brand: Melville House
• Published on: 2009-03-03
• Released on: 2009-03-03
• Original language: English
• Number of items: 1
• Dimensions: 8.24" h x .84" w x 5.49" l,
• Binding: Paperback
• 304 pages

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• Used Book in Good Condition

Review
“ This is an heroic book, brave, fearless and honest. It is necessary reading.”
—The Sunday Times (London)

“ Genuinely tragic and beautiful...[Fallada’s] perfectly horrifying, horrifyingly perfect novel is the story of himself rejected by society and returning the insult.”
—New Statesmen

"In a publishing hat trick, Melville House allows English-language readers to sample Fallada's vertiginous variety accompanying the release of Michael Hoffman's splendid translation of Every Man Dies Alone with the simultaneous publication of excellent English versions of Fallada's two best-known novels, Little Man, What Now? (translated by Susan Bennett) and The Drinker (translated by Charlotte and A.L. Lloyd). The Drinker, which Fallada wrote in 1944 while he was locked up in a criminal asylum for attacking his estranged wife, is a memoirish novel in which a country merchant describes his unrepentant, gloating slide into alcoholism and failure."
-- New York Times Book Review

Language Notes
Text: English (translation)
Original Language: German

About the Author
Before WWII , German writer Hans Fallada’s novels were international bestsellers, on a par with those of his countrymen Thomas Mann and Herman Hesse. In America, Hollywood even turned his first big novel, Little Man, What Now? into a major motion picture.

Learning the movie was made by a Jewish producer, however, Hitler decreed Fallada’ s work could no longer be sold outside Germany, and the rising Nazis began to pay him closer attention. When he refused to join the Nazi party he was arrested by the Gestapo—who eventually released him, but thereafter regularly summoned him for “discussions” of his work.

However, unlike Mann, Hesse, and others, Fallada refused to flee to safety, even when his British publisher, George Putnam, sent a private boat to rescue him. The pressure took its toll on Fallada, and he resorted increasingly to drugs and alcohol for relief. After Goebbels ordered him to write an anti-Semitic novel, he snapped and found himself imprisoned in an asylum for the “criminally insane”—considered a death sentence under Nazi rule. To forestall the inevitable, he pretended to write the assignment for Goebbels, while actually composing three encrypted books—including his tour de force novel The Drinker—in such dense code that they were not deciphered until long after his death.

Fallada outlasted the Reich and was freed at war’s end. But he was a shattered man. To help him recover by putting him to work, Fallada’s publisher gave him the Gestapo file of a simple, working-class couple who had resisted the Nazis. Inspired, Fallada completed Every Man Dies Alone in just twenty-four days.

He died in February 1947, just weeks before the book’s publication.

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1 of 1 people found the following review helpful.
I'm just starting this one, so I will come back with a full review later
By Princess
This one does hit close to home for anyone that finds that self-medication makes life look better. While I'm here, and since I haven't finished the book yet, let me recommend "Every Man Dies Alone", which deals with the WWII era. It was awesome and that book made me want to get every book by this author.

Anyways, the protagonist in this book has a successful wholesale business, and somehow decides (or slides) into alcoholism. Seems like it's a midlife crisis, where he either blames or resents his super efficient wife. He gets swindled and also confused as to what he should be doing. He does some unreasonable things to spite his wife due to the resentment of her abilities (here comes that old-fashioned male superiority thing, that if proved wrong, goes disastrously). He starts resenting her abilities and undermines his own business based on a fantasy that he will run away with a bunch of money and start a new life. But that doesn't happen since he is naïve and chooses his cohorts amongst the swindlers that just seem to be awaiting him (his growing dependence on drinking facilitates them taking advantage of him)

When I read books like this from years ago, I realize that not that much has changed as regards human nature. There is always an abundance of people that expend an awful lot of energy upon ripping you off, and now I think they call them "enablers". Been there and have been done by that (enablee?) These people are smart in their own way (not to be confused with smart as in educated), and they know just how to entangle a person into a life where they have to really have to struggle to escape. I can relate to this and so, how many years ago was this book and all his others written? I do hope that Mr. Fallada gets his recognition and readership because his stuff is still SO relevant. I know that there are a lot of people that would see aspects of themselves in his books. I surely have.

3 of 3 people found the following review helpful.
Spot On
By Trilly
If you've ever wondered what an alcoholic feels like and want a glimpse into the work, struggle and shame that consumes a person this is the book for you. Often a taboo subject, it is the story that is real. The telling of a man with whom the drink has taken over his life and he will do anything to keep getting more. Being a recovered alcoholic myself I found the book as true to fact in today's world as it was in his some 60+ years ago. The man that was and the person he became were likely hard to believe. But believe me it is so dangerously spot on I found myself recalling all of the horrid memories of pleeding for one more drink. The character believes he is beyond amazing when he is drunk and comes up with numerous grand 'plans' to do when he sobers up. Only to find that he is instead looking again for the drink at any cost. The only issue I had was the semi violent acts that he commits in order to get his next fix. You must remember this is in the 1940's, there are no visa cards and with no cash you are forced to take alternate measures to fulfill what your body must intake so you will not be insanely sick from withdrawl. An amazing read and a frank look at what can become of you from your highest to lowest points in a short amount of time.

0 of 0 people found the following review helpful.
Captivating
By Noelle
I could not put this book down. It is extraordinarily well written by an author who unfortunately was intensely well versed in the subject matter. Anyone who's ever wondered why alcoholics don't "just shape up"! will get the answer here. Fallada, who was born in Germany in 1893, into a middle class family - his father was a magistrate, on his way to becoming a supreme court judge - had a difficult childhood. In 1909, at the age of 16 he was run over by a horse cart and kicked in the face by the horse, and the following year contracted typhoid. Ugh.

"His adolescent years were characterized by increasing isolation and self-doubt, compounded by the lingering effects of these ailments. In addition, his life-long drug problems were born of the pain-killing medications he was taking as the result of his injuries. These issues manifested themselves in multiple suicide attempts. In 1911 he made a pact with a close friend to stage a duel to mask their suicides, feeling that the duel would be seen as more honorable. Because of both boys' inexperience with weapons, it was a bungled affair. The friend missed Fallada, but Fallada did not miss, killing his friend. Fallada was so distraught that he picked up a gun and shot himself in the chest, but somehow survived. Nonetheless, the death of his friend ensured his status as an outcast from society."

It is easy to see how someone with this background would fall prey to addiction and mental illness. Fallada experienced the horrors of Nazi Germany; he was incarcerated in a Nazi asylum when he wrote The Drinker, which is "a deeply critical autobiographical account of life under the Nazis." Following the protagonist's descent into the madness of alcoholism my sympathy was at times with him, at times with his wife - but both characters are rather unpleasant. Still, Fallada manages to make one feel and enthusiastically root for them - will he get sober, will he manage to hang on to his sanity and life (work, home, job, family).

I first read about the book in the NYT book review - I think it was listed as one of the best/remarkable books (cannot remember the distinction exactly) of the 20th century - and it briefly discussed Fallada's tragic life, which aroused my curiosity so I looked up more information about him. Knowing about his background and the circumstances in which he wrote the book really added to the "pleasure" (well, I cannot say that the book is exactly a pleasant reading!) of reading it.

This book is an engrossing read for anyone whose life has been shadowed by the horrible disease of addiction. Highly recommend it for everyone else as well.

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• Sales Rank: #4355062 in Books
• Published on: 1990-09
• Original language: English
• Number of items: 1
• Dimensions: 11.50" h x 8.50" w x .75" l, .0 pounds
• Binding: Hardcover
• 917 pages

From the Publisher
A complete reference to all phases of traffic signal design and installation.

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How Music Works is David Byrne’s remarkable and buoyant celebration of a subject he has spent a lifetime thinking about. In it he explores how profoundly music is shaped by its time and place, and he explains how the advent of recording technology in the twentieth century forever changed our relationship to playing, performing, and listening to music.

Acting as historian and anthropologist, raconteur and social scientist, he searches for patterns—and shows how those patterns have affected his own work over the years with Talking Heads and his many collaborators, from Brian Eno to Caetano Veloso. Byrne sees music as part of a larger, almost Darwinian pattern of adaptations and responses to its cultural and physical context. His range is panoptic, taking us from Wagnerian opera houses to African villages, from his earliest high school reel-to-reel recordings to his latest work in a home music studio (and all the big studios in between).

Touching on the joy, the physics, and even the business of making music, How Music Works is a brainy, irresistible adventure and an impassioned argument about music’s liberating, life-affirming power.

• Sales Rank: #216602 in Books
• Brand: Brand: McSweeney's
• Published on: 2012-09-12
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 1.60" h x 7.10" w x 9.10" l, 2.40 pounds
• Binding: Hardcover
• 352 pages

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Amazon.com Review
Amazon Best Books of the Month, September 2012: It's no surprise that David Byrne knows his music. As the creative force behind Talking Heads and many solo and collaborative ventures, he's been writing, playing, and recording music for decades. What is surprising is how well his voice translates to the page. In this wide-ranging, occasionally autobiographical analysis of the evolution and inner workings of the music industry, Byrne explores his own deep curiosity about the "patterns in how music is written, recorded, distributed, and received." He is an opinionated and well-educated tour guide, and the resulting essays--on topics from rockers' clothes to the role of the turntable, concert stages to recording studios--will give you an entirely new perspective on the complex journey a song takes from conception to your iPod. --Neal Thompson

From Booklist
*Starred Review* Most people know idiosyncratic, Scottish-born David Byrne as the front man of that great new wave band, Talking Heads. But he is also an author, painter, photographer, and film and record producer. In this wide-ranging celebration of the power of music, he discusses, among many topics, the early days of the recording industry, various types of music venues, birdsong and whale calls, the significance of mixtapes, the development of CDs, his love of African rhythms, and the concept of creativity and what it means to be creative. But he also mentions his own career as well as the many collaborators he has worked with, including English musician and producer Brian Eno, Brazilian composer and singer Caetano Veloso, and DJ Fatboy Slim. He describes the origin of his twitchy stage persona and acknowledges his own shyness, describing himself as “a withdrawn introvert,” whose most comfortable way of communicating was, he says, onstage. (“Poor Susan Boyle; I can identify,” he writes). At one point, he even self-diagnoses himself as having a mild form of Asperger’s syndrome. He concludes by asking provocative questions: What is music good for? Why do we need music? “Funding future creativity is a worthy investment,” he insists. Endlessly fascinating, insightful, and intelligent. --June Sawyers

From Bookforum
Byrne's book tells a version of the musical life that is deliberately less dramatic and heroic than first-person accounts by musicians usually are. That's because How Music Works isn't just a memoir... it meanders at some points, or lapses into a digest of Byrne's broad reading on various subjects. In a book that covers so much ground, often with a zoomed-in level of detailed focus, it's up to the reader to find the through lines that speak to his or her particular concerns. —Simon Reynolds

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180 of 192 people found the following review helpful.
Musical Musings: A Hodge-Podge
By Dr. Debra Jan Bibel
Byrne begins his wide-ranging historical, technological, psychological and sociological examination of music with a novel insight: architecture of musical venues shape composition and instrumental arrangements. Regarding huge gothic cathedrals, intimate nightclubs, and jungle camp sites, room reverberation, volume of space, and audience vocal ambience dictate modal versus scale works, instrument development, and performance dynamics. The great revolutionary divide was recording technology, and musicians discovered that what works live does not necesarily achieve the same result on vinyl, tape, CD, or .mp3, and vice versa. Expectations often lead to disappointment and the performance and performer suffers. With such an interesting introduction, the book offers much promise. It almost fulfills expectations with both personal and general tidbits and theses that reward the reader, though for myself his personal examples are somewhat weaker.

The second chapter is an musical autobiographical section describing the evolution of his music and stage attire over the succeeding eras of rock. In his world travels, his encounter with Japanese and Balinese traditional music and theatre art had a profound influence on the development of his stage craft. One of his suits clearly had classic Japanese origins.

Chapters 3 and 4 return to musicology with an expansion of the role of technology, recording and playback. The historical account is amusing when considering the delusions of reality instilled by each new device on the unconditioned and uneducated ear. The ideal of recordings was and remains an actual live performance, particularly among classical music fans; but the alternative worthy philosophy is the electronic creation of uniquely shaped sound itself, as with tape editing, synthesizers and digital programming, and electric instrument design. Oddly, computerized editing of recordings to achieve perfection in tempo, pitch, and so forth proved imperfect to the ear and lacking in warmth and positive emotional value. Byrne does not elaborate in later chapters, but recordings (and its transmission over radio) changed society by uniting peoples, speeding musical development, and (for instance, in Brazil) of overturning governmental policy of approved musical forms. I do not share Bryne's lament about the calculus-like wave sectioning of digital CDs over analogue LPs because of psychoacoutics, an aging ear, and the fact that speakers are yet analogue in their cone movement and shaping. Of interest is Byrne's belief that we are now so awash in music, indeed private music on personal .mp3 players and smart phones, that live performances are becoming more important, as that increasingly rare commodity, silence. I enjoyed Bryne's relating, in brief James Burke fashion, the connection of the Chinese mouth organ, the shen, to digital computers.

Chapter 5 is again more personal with Bryne's experiences in a recording studio and the art, engineering, and strategy of creating an album. Entire books have been written and documentary films have focused on this subject, but the use of computers on mixing boards is a new phenomenon.

The following chapter discusses his collaborations. He had already mentioned his albums with Brian Eno, but now Byrne moves beyond Talking Heads by developing music with Caetano Veloso and choreographer Twyla Tharp and creating with Norman Cook [Fatboy Slim] a theatrical piece on the Philippine's Imelda Marcos.

Chapter 7 is all about the business and financial side of the music industry. There are pie charts. He explains the very recent changes in industry, when musicians can edit and mix their music on their laptop computers and distribute it via digital download and cloud companies and promote themselves with YouTube videos and have kickstarter campaigns to get public underwriters. The giant brick & mortar record shops (Tower, Borders, Virgin Megastore) are no more and the power of music labels are severely diminished. This chapter should be read by anyone considering how to create and promote their own music; he describes various business models.

The next chapter furthers practical advice on the choice of venues, song material, the courage to be different, responsibility to band members and fellow musicians, and so on. It is a peculiar chapter for such a book.

Chapter 9 pulls back to a shotgun approach critical of musical elitism and lauding the amateur musician. In the days before mass-marketed recordings, there was a piano in the parlor. Even in the 1960s, every kid (yours truly included) had an acoustic guitar, singing folk songs. Until very recently, courses in music appreciation were dedicated only to classical music and rarely jazz. Governmental and corporate funding erected costly symphony halls and museums. Byrne seems to ignore the reality that these measures were to preserve and encourage endangered music styles and that the masses are doing fine in supporting pop and avant-garde culture, filling stadiums and arenas and small local music joints. Symphony halls are not restricted to dead European composers; I have heard contemporary American, Japanese, Argentinian, Iranian, and other world composers. Still, the point is taken when middle and high schools do not offer music and art classes and other nations support amateur musicians, music clubs, and youth bands and orchestras. Music and art should not be passive art forms.

The final chapter covers music as a human, biological, and indeed metaphysical essence. This historical and anthropological section sketches prehistorical, ancient, and early modern musical instruments, musical sciences, and philosophies. Everything vibrates, from atoms to planets. He does not include it, but string theory of matter involves vibrating strands of energy. Bryne briefly mentions the differing scales of music across the planet, the relationship of language and speech to music, neurological imprinting of music and its performance, music in religious rituals [Taliban and similar zealots aside], the natural ambient music appreciated by John Cage and the composed ambient music of Satie, Eno, and Feldman, and various other aspects of music. Bryne can only touch upon these large subjects as he closes the book. While it may lead to further reading, I find the section too scattered to be truly effective.

This grand book, with its padded cover, offers a little of everything to everyone. Fans of Bryne, as leader of the Talking Heads or as musicologist, will surely find much to appreciate here. I do think, however, that he could have prepared two smaller books, one dedicated to the practice of musicmaking today and one to music's historical and anthropological aspects.

48 of 48 people found the following review helpful.
Terrific book for music lovers and content creators alike
By David Meerman Scott
This is David Byrne week for me. On Sunday, I caught the sensational David Byrne and St. Vincent show at the Orpheum Theater in Boston. The last time I saw Byrne live was when I caught the Talking Heads on August 19, 1983 at the old Forrest Hills Tennis Stadium in New York City. So, clearly I was already a Byrne fan.

How Music Works

The other part of David Byrne week is his fabulous new book How Music Works. The book is Byrne's take on the industry he's succeeded in. He offers keen observations about the music industry, the art of making music, telling stories in the book using a combination of history, anthropology, and music theory. I love this book!

In particular, Byrne has a fascinating take on the development of music, which is quite different from what other music historians say. In a chapter titled "Creation in Reverse" he argues that music evolves to fill the space where it is performed.

For example, the Talking Heads evolved in the 1970s at New York punk club CBGB requiring volume to overcome the din. The sparse music that came out of the CBGB scene such as the Ramones and Television worked perfectly for that room.

Music that evolved in gothic cathedrals (lots of reverberation) has long notes with no key changes. Carnegie Hall and other similar rooms require texture. With discos, people made music to exploit the fantastic sound systems and people's need to dance. Rock music played in hockey arenas (the worst acoustics on the planet) must be straightforward with medium tempos. You get the idea. The music that is successful works perfectly for each venue.

With personal sound systems (starting with the Walkman in the 1970s then evolving into MP3 players such as the iPod), all of a sudden you can hear every single detail. This allowed pop music to evolve from its early radio form.

Byrne has a 2010 TED Talk on this idea: "How architecture helped music evolve."

How Content Works

As I devoured How Music Works I was constantly thinking how Byrne's ideas apply to other forms of content. I think the ideas are valid when thinking about the written word, video content, and the Web. I used the ideas in How Music Works to formulate ideas about content in general.

David Byrne's How Music Works is amazing. Read it. And as you do if you're not in the music business, feel free to substitute "content" for "music" and see where the ideas lead you.

1 of 1 people found the following review helpful.
I highly recommend this book to people who really want to understand ...
By KRR
I highly recommend this book to people who really want to understand musicology, how music affects people and conversly the use of music to change environments. I couldn't put it down.

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[Q366.Ebook] Download Maybe Tonight? (Snap Decision), by Bridie Clark

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Maybe Tonight? (Snap Decision), by Bridie Clark

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Maybe Tonight? by Bridie Clark opens as the reader is getting ready for the most exciting party of the year―Midwinter's Night Dream, set in the frosty woods just off campus―with her roommates and best friends Annabel Snow, Spider Harris, and Libby Monroe. Choices unfold quickly and the reader must decide which risks to take in pursuit of social status, adventure, success, and love.

• Sales Rank: #2151667 in Books
• Brand: Brand: Roaring Brook Press
• Published on: 2013-08-06
• Released on: 2013-08-06
• Original language: English
• Number of items: 1
• Dimensions: 8.20" h x .70" w x 5.92" l, .46 pounds
• Binding: Paperback
• 224 pages

Features

• Used Book in Good Condition

From School Library Journal
Gr 6-10-Clark shows how every decision has consequences by asking readers to make decisions that will determine the plot. As a new freshman at exclusive King's Academy, will "you" decide to be a party girl or a responsible scholarship student? Each chapter turns on one decision after another. Set in modern-day New Hampshire, "your" story unfolds as your rich, charitable, and style-obsessed friend, Annabel, helps you prepare for the most important party of the year, the Midwinter's Night Dream. Soon other roommates join the prep party, and the pages fill with popular brands and mentions of pop culture galore. Readers will be enmeshed in all the trappings of elite prep-school culture. These characters travel in jets, vacation on Nantucket, socialize with pop stars, and have grins that "could power an entire village in Guatemala." An additional purchase for fans of choose-your-own-adventure books and Teen People.-Lisa Gieskes, Richland County Public Library, Columbia, SCα(c) Copyright 2013. Library Journal. LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
If you’ve ever wanted to attend an elite boarding school, go to a decadent Midwinter’s Eve party, or choose between a host of attractive boys vying for your attention, here’s your chance to live the experience vicariously. That’s right—it’s a choose your own adventure for teens! Clark delivers a fast-paced, fun read that allows kids to decide how one wild evening will turn out. Readers can choose whether they want a John Green–esque romance or dive straight into a Gossip Girl–style party, hopping from one handsome, rich guy to the next. Clark neatly resolves every version of the plot, but many of the events leading up to the climactic ending are in the reader’s hands. This one’s fresh and unique, with wide-ranging appeal. After all, if you don’t like the story, you change it. Grades 7-10. --Bethany Fort

Review

“Both novels are polished to a gleam, and their savvy, self-aware references to fashion and music and other timely cultural touchstones would meet the standards of any mean girl worth her salt….Even for adults looking back, there's a certain comfort in the dissection of the mean girl enterprise and the kind of empowerment in seeing a new generation rebel against it. The questions Crane and Clark address don't get answered neatly and tied up with a bow upon graduation, and perhaps that's why both novels are so enjoyable even to those who've crossed that threshold.” ―The New York Times Book Review

“Readers can choose whether they want a John Green–esque romance or dive straight into a Gossip Girl–style party, hopping from one handsome, rich guy to the next.” ―Booklist

Most helpful customer reviews

1 of 1 people found the following review helpful.
A Must Read
By EJ
Wasn't sure what to expect but I ended up liking the choose-your-own-adventure format in this setting. It felt that the outcome of various choices were actually pretty unpredictable--it was hard to "game" the choices to get to a happy ending, and that made it more interesting. The writing is funny and light and the characters were well-drawn. It's an easy fun read. I wanted some of the story threads to be longer.

0 of 0 people found the following review helpful.
Fun choose your own adventure, emphasis on adventure!
By Katie
MAYBE TONIGHT is such a fun ride--it combines the choose-your-own-adventure format I loved as an elementary schooler with the high social stakes and somewhat (delightfully) exaggerated Young Adult tropes of a Pretty Little Liars novel.

I would say this is no tale for prudes, but that's not quite right--there ARE good, responsible options you can pick if getting involved in the dangerous world of high school drinking and drugs, playing hooky, and taking sexual risks is not your style. However, even the most straight-laced person might enjoy re-reading this book and taking the riskier options, just for the thrill of taking part in a totally different world. One of my favorite aspects of this read was that it's actually multiple books in one, and it's fast-paced enough that the average reader could easily re-read the book a few times, testing out all the different twists and turns available.

Very highly recommended for anyone who ever loved a choose-your-own adventure as a kid and now needs some older fare.

2 of 2 people found the following review helpful.
ummmmm.....
By R. Kunzler
it wasn't all that great. I loved her book, "The Overnight Socialite" so if your looking for a good read, order that one instead

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• Sales Rank: #3198674 in Books
• Published on: 2015-07-09
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .94" w x 8.50" l, 3.05 pounds
• Binding: Hardcover
• 430 pages

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